1 00:00:08,700 --> 00:00:09,894 Well... 2 00:00:10,060 --> 00:00:15,373 Let me tell you in two sentences my main concern. 3 00:00:15,540 --> 00:00:16,973 Yes, of course. 4 00:00:17,140 --> 00:00:20,496 My main concern is the concern of the company 5 00:00:20,660 --> 00:00:23,538 and the prestige of Cannon. 6 00:00:23,700 --> 00:00:28,376 Cannon has announced for a year-and-a-half, approximately, 7 00:00:28,540 --> 00:00:32,613 the Jean-Luc Godard movie, King Lear. 8 00:00:32,780 --> 00:00:36,329 People do not believe that the movie will ever be done. 9 00:00:36,500 --> 00:00:38,809 We're losing confidence. We are losing our name. 10 00:00:38,980 --> 00:00:41,289 It's bad for us because every now and again, 11 00:00:41,460 --> 00:00:47,171 a clever interviewer, or who thinks he's clever, comes to me and says: 12 00:00:47,340 --> 00:00:52,209 "You made a big noise once you signed with Godard", etc., etc. 13 00:00:52,380 --> 00:00:55,816 And I protest: "We are shooting". Anyway, 14 00:00:55,980 --> 00:00:59,017 it's hanging us 15 00:00:59,180 --> 00:01:04,812 and I must insist that movie, as promised, 16 00:01:04,980 --> 00:01:08,689 which was already postponed so many times 17 00:01:08,860 --> 00:01:14,059 will reach the Cannes Festival. This is my main concern. 18 00:01:14,220 --> 00:01:16,575 - Okay, Jean-Luc, why don't you respond to that? - Action! 19 00:01:18,980 --> 00:01:22,529 Mailer. Oh, yes. 20 00:01:22,700 --> 00:01:26,010 That is a good way to begin. 21 00:01:40,820 --> 00:01:44,859 The contract dated the sixteenth of April, 1986. 22 00:01:45,020 --> 00:01:48,057 It was between Norman Mailer and JLG Films. 23 00:01:48,220 --> 00:01:52,452 It said: "Norman Mailer and certain members of his family, 24 00:01:52,620 --> 00:01:57,057 including Kate Mailer, as may be required and available, 25 00:01:57,220 --> 00:02:02,692 could provide generous services, including services as actors. 26 00:02:03,860 --> 00:02:08,058 But words are reckless. Words are one thing, 27 00:02:08,220 --> 00:02:12,577 and reality, gentle reality, is another thing. 28 00:02:12,740 --> 00:02:14,014 Would you like a drink? 29 00:02:14,180 --> 00:02:17,013 And between them is nothing. 30 00:02:18,780 --> 00:02:22,090 You know, I'm all keyed up. I want to go back to America. 31 00:02:22,260 --> 00:02:25,218 Why don't we change our plane reservations for tomorrow. 32 00:02:30,300 --> 00:02:31,699 Dad! 33 00:02:40,940 --> 00:02:42,089 Dad! 34 00:03:00,820 --> 00:03:04,813 Don Kenny, Don Gloustro, Don Learo! 35 00:03:04,980 --> 00:03:07,494 - Learo. - Learo. 36 00:03:07,660 --> 00:03:10,254 Why are you so interested in the mafia! 37 00:03:12,180 --> 00:03:15,058 I think the mafia is the only way to King Lear. 38 00:03:20,700 --> 00:03:21,655 Cordelia. 39 00:03:24,580 --> 00:03:25,569 Mailer. 40 00:03:29,820 --> 00:03:32,129 Oh, that's a good way. 41 00:03:36,860 --> 00:03:39,420 That's a good way to begin. 42 00:03:42,180 --> 00:03:47,129 To begin the thought I said: "Let's go". 43 00:03:47,300 --> 00:03:51,179 The greater writer said: "Why don't you say action?" 44 00:03:51,340 --> 00:03:53,058 So I did. 45 00:03:53,220 --> 00:03:57,736 Then I said: "Kate enters your room and kisses you, 46 00:03:57,900 --> 00:04:03,020 when she hears you finished the play. Not "your" play, "the" play. 47 00:04:03,180 --> 00:04:06,217 The great writer said: 48 00:04:06,380 --> 00:04:09,816 "Why don't I kiss her instead of her kissing me"? 49 00:04:09,980 --> 00:04:12,892 I said okay again. 50 00:04:13,060 --> 00:04:18,088 And now began a ceremony of star behaviours: 51 00:04:18,260 --> 00:04:21,013 "Why do I have to put my jacket on"? 52 00:04:21,180 --> 00:04:23,535 "Do I have to drink orange juice"? 53 00:04:23,700 --> 00:04:28,854 And again: "Why does she have to take my hand instead of me taking her"? 54 00:04:29,020 --> 00:04:32,376 And anyway, this picture, what's the hell? 55 00:04:32,540 --> 00:04:35,452 - Would you like a drink? - Yeah. 56 00:04:37,140 --> 00:04:39,529 You know, I'm all keyed up. 57 00:04:39,700 --> 00:04:44,615 I think I'd like to go back to the States. 58 00:04:59,180 --> 00:05:02,138 Why don't we grab a plane and get out of here? 59 00:05:03,340 --> 00:05:06,298 It was not Lear with three daughters. 60 00:05:06,460 --> 00:05:09,532 It was Kate with three fathers. 61 00:05:09,700 --> 00:05:14,376 Mailer as a star, Mailer as her father, 62 00:05:14,540 --> 00:05:17,498 and me as a director. 63 00:05:17,660 --> 00:05:19,810 Too much indeed, 64 00:05:19,980 --> 00:05:21,208 Dad? 65 00:05:21,380 --> 00:05:23,940 For this young lady from Provincetown. 66 00:05:31,740 --> 00:05:36,177 After the fifth take of the first shot, the great writer left the set. 67 00:05:36,340 --> 00:05:38,217 They took off for America, they said. 68 00:05:38,380 --> 00:05:42,771 He and his daughter first class. Daughter's boyfriend, economy. 69 00:05:42,940 --> 00:05:46,216 - Don Glouster? - Don Gloustro. 70 00:05:46,380 --> 00:05:49,895 Don Gloustro. Why are you so interested in the mafia? 71 00:05:50,060 --> 00:05:52,858 Anyway, I was fryed. 72 00:05:53,020 --> 00:05:58,617 I kept on thinking about the relation of heart and fire. 73 00:06:03,220 --> 00:06:04,175 Cordelia! 74 00:06:06,180 --> 00:06:08,535 Hello everybody. Good evening, folks. 75 00:06:12,420 --> 00:06:14,456 But why did they pick me? 76 00:06:17,380 --> 00:06:19,940 Twenty years later I still wonder. 77 00:06:22,300 --> 00:06:24,336 Why not some other gentleman? 78 00:06:24,500 --> 00:06:27,253 From Moscow or Beverly Hills? 79 00:06:27,420 --> 00:06:32,448 Why don't they just order some goblin to shoot this twisted fairy tale? 80 00:06:33,500 --> 00:06:35,695 - Marcel. - No! - Yes! 81 00:06:38,380 --> 00:06:42,055 A picture. So high, you could put it in a cell 82 00:06:42,220 --> 00:06:45,020 and condemn it to solitary confinement forever 83 00:06:45,020 --> 00:06:46,135 and condemn it to solitary confinement forever 84 00:06:46,300 --> 00:06:48,018 without it being a... 85 00:06:48,180 --> 00:06:49,693 Ingrid! Yes, of course. 86 00:06:49,860 --> 00:06:54,251 Be sure you have exhausted everything. 87 00:06:54,420 --> 00:06:58,049 Which is to communicate by mobility and silence. 88 00:06:58,220 --> 00:07:02,975 No, Francoise, no. 89 00:07:03,140 --> 00:07:05,051 I'm not sure. 90 00:07:05,220 --> 00:07:10,089 If an image, looked at separately, expresses something clearly, 91 00:07:10,260 --> 00:07:14,458 take courage with it, show an interpretation. 92 00:07:14,620 --> 00:07:18,408 It will not transform itself in context with other images. 93 00:07:18,580 --> 00:07:22,289 There are other images who have no power over it. 94 00:07:22,460 --> 00:07:25,896 And it will have no power over the other images. 95 00:07:26,060 --> 00:07:28,016 No action. No reaction. 96 00:07:28,180 --> 00:07:29,852 Leopardo, yes! 97 00:07:30,020 --> 00:07:32,375 Yes, the night has come. 98 00:07:32,540 --> 00:07:35,418 - Fritz, yes, of course. - Another world awakens. 99 00:07:35,580 --> 00:07:40,096 - Of course. - Hard, cynical and alphabetical, 100 00:07:40,260 --> 00:07:43,775 amnesic, twisted without reason. 101 00:07:43,940 --> 00:07:49,173 Spread flat as each perspective has been abolished. 102 00:07:51,060 --> 00:07:55,656 I life's strangest thing, the living dead of this world 103 00:07:55,820 --> 00:07:58,380 are constructing this world. 104 00:07:58,540 --> 00:08:04,649 - Joseph, yes! - The fire and the sensations are from before. 105 00:08:06,700 --> 00:08:08,816 The vanishing point has been erased. 106 00:08:11,580 --> 00:08:13,218 Again, Jacque, again. 107 00:08:13,380 --> 00:08:16,531 I'm alone, the world seems to say. 108 00:08:16,700 --> 00:08:21,410 Caught for having a necessity you can not change. 109 00:08:21,580 --> 00:08:26,700 If I'm only what I am, I'm indestructible. 110 00:08:26,860 --> 00:08:30,694 Being what I am, and without reserve, 111 00:08:30,860 --> 00:08:34,899 my solitude knows yours. 112 00:08:41,700 --> 00:08:44,931 I will repeat the pattern of old warriors. 113 00:08:45,100 --> 00:08:48,331 I will say nothing. 114 00:08:50,420 --> 00:08:52,650 Am I in France? 115 00:08:52,820 --> 00:08:55,209 In your own kingdom, sir. 116 00:08:55,380 --> 00:08:59,339 - And now, you desert your kingdom. - Do not dessert me. 117 00:09:06,500 --> 00:09:08,411 Looking again at Luchinds picture, 118 00:09:08,580 --> 00:09:13,779 from the time when he was young and first assistant to Renoir, 119 00:09:13,940 --> 00:09:17,569 and noticing the difference between that 120 00:09:17,740 --> 00:09:20,812 and the old man that he became with time, 121 00:09:22,700 --> 00:09:26,215 I suddenly discovered why his artistic father, Jean, 122 00:09:26,380 --> 00:09:31,738 also becoming old, was so keen on young girls. 123 00:09:31,900 --> 00:09:35,256 Like his father, August. 124 00:09:35,420 --> 00:09:40,016 Father, Father. 125 00:09:41,860 --> 00:09:45,569 Dorei, do not haunt me. 126 00:09:45,740 --> 00:09:48,300 And then looking again at Sages. 127 00:09:50,100 --> 00:09:52,250 Still editing on his death-bed. 128 00:09:54,220 --> 00:09:57,178 I remember what Plogi told me years later about editing. 129 00:09:57,340 --> 00:10:03,017 I fear I'm not in my perfect mind. 130 00:10:03,820 --> 00:10:07,779 - Physically... - When the rain came to wet me. - In both hands. 131 00:10:07,940 --> 00:10:11,410 - And the wind make me chapped... - The future... 132 00:10:11,580 --> 00:10:15,937 - When the vendor would not do my bidding. - And the past. 133 00:10:16,100 --> 00:10:20,571 There I found him. There I smelt him out. 134 00:10:20,740 --> 00:10:26,133 Gotou, they are not men of their words. 135 00:10:26,300 --> 00:10:29,849 - Betwixt my eye and... - They told me I was everything. 136 00:10:30,020 --> 00:10:32,580 - Each doth do violence to the others. - It's a lie. 137 00:10:32,740 --> 00:10:36,494 - I am not. - And not mine eye is famished for a look 138 00:10:36,660 --> 00:10:39,891 or heart in love's picture then my eye doth feast 139 00:10:40,060 --> 00:10:43,769 with my love's picture then my eye doth feast 140 00:10:43,940 --> 00:10:47,250 and to the painted banquet bids my heart. 141 00:10:49,500 --> 00:10:53,288 Come not between the dragon and his wrath. 142 00:10:53,460 --> 00:10:58,295 I loved her most and fought to se my rest 143 00:10:58,460 --> 00:11:01,372 on her kind nursery. 144 00:11:01,540 --> 00:11:04,896 Hence, and avoid my sight. 145 00:11:06,860 --> 00:11:09,613 So be my grave, my peace 146 00:11:09,780 --> 00:11:13,329 as here I give her father's heart from her. 147 00:11:13,500 --> 00:11:17,573 Peace. Mr. Shakespeare. 148 00:11:21,100 --> 00:11:25,571 Come not between the dragon and his wrath. 149 00:11:25,740 --> 00:11:28,971 I loved her most 150 00:11:29,140 --> 00:11:32,337 and fought to set my rest 151 00:11:32,500 --> 00:11:36,459 on her kind nursery. Hence! 152 00:11:36,620 --> 00:11:40,772 And avoid her look. 153 00:11:43,700 --> 00:11:47,136 So be my grave, my peace. 154 00:11:50,780 --> 00:11:52,691 No nudity. No, no! 155 00:11:52,860 --> 00:11:55,533 I'm on duty now for the cultural division at Cannon 156 00:11:55,700 --> 00:11:57,611 and they definitely don't accept nudity. 157 00:12:09,460 --> 00:12:12,179 And then suddenly it was the time of Chernobyl 158 00:12:12,340 --> 00:12:14,251 and everything disappeared. 159 00:12:14,420 --> 00:12:16,775 Everything. 160 00:12:18,340 --> 00:12:21,138 And then after awhile everything came back: electricity, 161 00:12:21,300 --> 00:12:23,131 houses, cars. 162 00:12:23,300 --> 00:12:26,019 Everything except culture and me. 163 00:12:26,180 --> 00:12:30,810 I was one of the few survivors in that field, as an individual. 164 00:12:30,980 --> 00:12:35,417 At the corporate level, there was the Cannon cultural division. 165 00:12:35,580 --> 00:12:38,652 So, by special arrangement with them, 166 00:12:38,820 --> 00:12:41,857 and the Royal Library of her majesty the Queen, 167 00:12:42,020 --> 00:12:43,817 I was engaged. 168 00:12:48,300 --> 00:12:52,418 My task: to recapture what have been lost, 169 00:12:52,580 --> 00:12:55,538 starting with the works of my famous ancestor. 170 00:13:13,060 --> 00:13:15,972 And so it happened that on my way back from Denmark, 171 00:13:16,140 --> 00:13:18,973 where I rediscovered "To be or not to be", 172 00:13:19,140 --> 00:13:20,414 I stopped here, 173 00:13:20,580 --> 00:13:24,892 in a little city of Nyon, between Italy and Germany, 174 00:13:25,060 --> 00:13:27,369 between the woods and the water, 175 00:13:27,540 --> 00:13:30,020 where I would try to locate another survivor, 176 00:13:30,020 --> 00:13:30,930 where I would try to locate another survivor, 177 00:13:31,100 --> 00:13:36,128 who, according to local legend, specialized in visual media. 178 00:13:36,300 --> 00:13:40,498 His name? I can't remember. 179 00:13:40,660 --> 00:13:44,255 I'd been told that his research 180 00:13:44,420 --> 00:13:47,218 had been moving in parallel lines to my own. 181 00:13:47,380 --> 00:13:52,170 By the way, my name is William Shakespeare, Junior, the Fifth. 182 00:14:02,060 --> 00:14:03,413 What is this? 183 00:14:03,580 --> 00:14:09,291 It's the best part of the fish. 184 00:14:09,460 --> 00:14:11,416 Give me the map, then, 185 00:14:15,100 --> 00:14:16,692 now meantime 186 00:14:18,420 --> 00:14:22,652 we shall express our darker purpose. 187 00:14:22,820 --> 00:14:24,412 Yes, father. 188 00:14:25,580 --> 00:14:28,811 Know that I have divided 189 00:14:28,980 --> 00:14:31,938 in three my empire. 190 00:14:32,100 --> 00:14:35,854 Twis my fast intent 191 00:14:36,020 --> 00:14:40,616 to shake all cares of business 192 00:14:40,780 --> 00:14:42,532 from my age, 193 00:14:42,700 --> 00:14:47,820 conferring them on younger strength 194 00:14:47,980 --> 00:14:51,734 while I unburden 195 00:14:51,900 --> 00:14:55,256 and crawl towards death. 196 00:14:57,700 --> 00:14:59,577 Are you listening? 197 00:14:59,740 --> 00:15:05,178 Now, my joy, all my last enrich... Speak! 198 00:15:08,380 --> 00:15:10,132 What shall Cordelia speak? 199 00:15:14,900 --> 00:15:19,371 Love and be silent. 200 00:15:20,420 --> 00:15:24,379 - What country is that over there? - This is the Kingdom of France. 201 00:15:24,540 --> 00:15:27,134 - Take off. - Yes, Mister Learo. 202 00:15:27,300 --> 00:15:29,894 Now, you know, 203 00:15:30,060 --> 00:15:34,451 Bugsy Seigal and Lansky, that's Meyer Lansky, 204 00:15:34,620 --> 00:15:37,578 they was always fighting, 205 00:15:37,740 --> 00:15:42,256 and the point was that Bugsy, 206 00:15:42,420 --> 00:15:44,888 that Bugsy was the real killer. 207 00:15:45,060 --> 00:15:49,212 Not like this Richard Nixon, you know. 208 00:15:49,380 --> 00:15:52,019 - How many people did he kill? - How many? 209 00:15:55,900 --> 00:15:59,051 Eight or ten, that I know of. 210 00:15:59,220 --> 00:16:03,008 - With his own hands? - Yes, mostly. 211 00:16:03,180 --> 00:16:09,210 Sometimes he got some friends to help him to get rid of. 212 00:16:12,180 --> 00:16:16,651 But this Meyer Lansky, the little guy, 213 00:16:16,820 --> 00:16:19,698 he was a philosopher, you know. 214 00:16:20,860 --> 00:16:26,218 And two days in Vegas, this was two days before Bugsy was murdered, 215 00:16:28,140 --> 00:16:30,131 this Lansky said to him, 216 00:16:30,300 --> 00:16:34,088 I got his words in his own writing here. 217 00:16:34,260 --> 00:16:36,296 I want you to hear this. 218 00:16:37,780 --> 00:16:42,535 He says... This is Lansky, to Bugsy: 219 00:16:42,700 --> 00:16:45,658 "Studying human nature I came to the conclusion 220 00:16:45,820 --> 00:16:49,335 people prefer to be rightous at home 221 00:16:49,500 --> 00:16:52,617 and a sinner somewhere else... 222 00:16:52,780 --> 00:16:56,568 Own hand-writing. "As for myself I..." 223 00:16:57,940 --> 00:17:00,693 "As for myself I stick to the saying: 224 00:17:00,860 --> 00:17:02,930 when you lose your money, you lose nothing, 225 00:17:03,100 --> 00:17:05,853 when you lose your character you lose everything... 226 00:17:07,580 --> 00:17:11,255 Well, think about that, my beloved. 227 00:17:11,420 --> 00:17:15,379 What do you think about that? Answer me. 228 00:17:21,860 --> 00:17:24,533 I don't have my heart in my mouth. 229 00:17:28,940 --> 00:17:31,329 You mend your speech a little. 230 00:17:33,980 --> 00:17:38,929 - You may mar your dollars. - As you wish. 231 00:17:39,100 --> 00:17:41,534 Love's labors lost. 232 00:17:43,260 --> 00:17:46,616 As you wish. 233 00:17:46,780 --> 00:17:50,170 As you wish, as you wish. 234 00:17:50,340 --> 00:17:55,095 As you witch, as you witch. 235 00:17:55,260 --> 00:17:59,697 As you watch, as you watch, as you watch! 236 00:18:19,220 --> 00:18:20,858 Witchcraft. 237 00:18:23,700 --> 00:18:25,691 As you... 238 00:18:29,540 --> 00:18:31,496 As you like it! 239 00:18:32,580 --> 00:18:36,619 That's it. That's it. As you like it. 240 00:18:42,340 --> 00:18:44,012 Thank you, miss. 241 00:18:44,180 --> 00:18:46,375 Thank you, my lady. 242 00:18:50,740 --> 00:18:52,617 Sure. 243 00:18:52,780 --> 00:18:55,499 I shall never marry like my sisters. 244 00:18:57,340 --> 00:18:59,410 To love my father all. 245 00:19:01,060 --> 00:19:03,779 But goes thy art with this. 246 00:19:09,660 --> 00:19:11,252 Aye, my good lord. 247 00:19:13,980 --> 00:19:18,895 So young and so untender. 248 00:19:20,260 --> 00:19:23,969 So young my lord, and true. 249 00:19:31,220 --> 00:19:33,017 You just saved my life. 250 00:19:39,940 --> 00:19:42,500 Are you trying to make a play for my girl? 251 00:19:42,660 --> 00:19:45,493 No, sir. Please. Allow me to introduce myself. 252 00:19:45,660 --> 00:19:47,890 Get your hands off me. 253 00:19:48,060 --> 00:19:51,052 There's a play we're trying to make anytime, sir. 254 00:19:51,220 --> 00:19:53,734 A Play, sir. 255 00:19:58,620 --> 00:20:00,417 Characters. 256 00:21:28,580 --> 00:21:30,491 Come not in there, Nuncle. 257 00:21:30,660 --> 00:21:34,892 Here's the spirit. Help me. 258 00:21:35,060 --> 00:21:37,893 - Give me thy hand, who's there? - A spirit. 259 00:22:09,100 --> 00:22:11,739 Hello? Hello? 260 00:22:11,900 --> 00:22:13,777 Hello? 261 00:22:21,860 --> 00:22:23,657 Where is everybody? 262 00:22:26,380 --> 00:22:27,938 Where are we? 263 00:22:29,340 --> 00:22:32,571 - The name is Goodwater. - Goodwater? 264 00:22:32,740 --> 00:22:36,619 That's a nice name. What city is this? 265 00:22:36,780 --> 00:22:40,295 When the French where here, they called it Les Oranges. 266 00:22:40,460 --> 00:22:45,534 But before that, when the Spanish was here, they called it Los Angeles. 267 00:22:49,660 --> 00:22:51,855 Who was she? I needed to know. 268 00:22:52,020 --> 00:22:56,138 I decided to forget of the "To be or not to be" business for awhile. 269 00:22:56,300 --> 00:23:00,088 Something was going on between this old man and this young girl. 270 00:23:00,260 --> 00:23:03,855 I decided to concentrate on their story. 271 00:23:05,460 --> 00:23:08,975 So I was trying to locate this Pluggy. 272 00:23:09,140 --> 00:23:12,052 I was walking in the woods near the lake. 273 00:23:12,220 --> 00:23:15,815 The place was named Oban which means "good water". 274 00:23:15,980 --> 00:23:19,290 This information was given me by a young man, poorly dressed, 275 00:23:19,460 --> 00:23:23,009 named Edgar, accompanied by his girlfriend Virginia, 276 00:23:23,180 --> 00:23:25,375 except that she wasn't there. 277 00:23:25,540 --> 00:23:28,213 They seemed to be looking for something. 278 00:23:28,380 --> 00:23:30,814 What were they looking for, I asked them. 279 00:23:30,980 --> 00:23:35,132 The boy and the girl didn't know. The girl wasn't even there. 280 00:23:35,300 --> 00:23:40,374 Only the professor knows, but he hates the outdoor and natural light. 281 00:23:40,540 --> 00:23:41,939 Pluggy, I asked. 282 00:23:42,100 --> 00:23:46,810 "Yes, he's stayed inside his editing room now for twenty years". 283 00:23:46,980 --> 00:23:50,893 Editing. That sounded familiar. 284 00:23:51,060 --> 00:23:53,449 What's that, I asked. 285 00:23:53,620 --> 00:23:57,215 But the girl and the boy couldn't remember either. 286 00:23:57,380 --> 00:23:59,814 And the girls still wasn't there. 287 00:23:59,980 --> 00:24:03,768 I tried to make an appointment but they disappeared. 288 00:24:09,100 --> 00:24:13,616 Now, even if Lansky and I 289 00:24:13,780 --> 00:24:18,729 are as awesome as we are reputed to be, 290 00:24:18,900 --> 00:24:22,734 we are now scarcely more than, 291 00:24:22,900 --> 00:24:27,257 than... More than 292 00:24:27,420 --> 00:24:29,058 isolated men. 293 00:24:30,500 --> 00:24:32,775 Lonely isolated 294 00:24:32,940 --> 00:24:37,809 men on the criminal landscape of America. 295 00:24:40,460 --> 00:24:43,179 - Now... - Do you wanna check, father? - Yes. 296 00:24:43,340 --> 00:24:44,853 I want to check. 297 00:24:45,020 --> 00:24:48,376 Lansky organized crime's ancient hope of getting casino gambling... 298 00:24:48,540 --> 00:24:51,008 Wait a minute. Take your time. What's you hurry? 299 00:24:51,180 --> 00:24:52,738 What's your hurry? 300 00:24:52,900 --> 00:24:58,657 - By the late sixties the whole country was Las Vegasized. - Right. 301 00:24:58,820 --> 00:25:03,530 Entertainment conglomerates like MGM own the largest building in Vegas. 302 00:25:03,700 --> 00:25:04,815 Ah, yes. 303 00:25:04,980 --> 00:25:07,619 Bugsy Seigal's Flamingo is now the Las Vegas Hilton. 304 00:25:07,780 --> 00:25:10,010 Move slow, slow. 305 00:25:10,180 --> 00:25:15,095 Bally, Playboy, Holiday Inn have rushed into Atlantic City. 306 00:25:15,260 --> 00:25:18,218 - The new Eldorado on the sea. - Yes. On the sea. 307 00:25:18,380 --> 00:25:20,940 And New York City is not far behind. 308 00:25:21,100 --> 00:25:25,730 All of there vice and leisure centres 309 00:25:25,900 --> 00:25:29,939 are linked together to my Lea ro Jet Company. 310 00:25:30,100 --> 00:25:31,294 Ah, my! 311 00:25:31,460 --> 00:25:33,735 All of America is now embracing... 312 00:25:33,900 --> 00:25:38,337 All of America is now embracing our vision, 313 00:25:38,500 --> 00:25:41,492 and Bugsy Segal's death was not... 314 00:25:41,660 --> 00:25:45,130 Whoa! Not death. 315 00:25:48,460 --> 00:25:50,052 His martyrdom. 316 00:25:51,180 --> 00:25:54,490 - And Bugsy Segal's martyrdom is not in vain. - Right. 317 00:25:54,660 --> 00:25:58,448 The question universally asked is how much influence... 318 00:25:58,620 --> 00:26:00,099 No! No! 319 00:26:04,020 --> 00:26:07,649 How much power. Put power down. 320 00:26:09,060 --> 00:26:10,209 All right? 321 00:26:14,260 --> 00:26:15,613 Power. 322 00:26:17,860 --> 00:26:20,215 The question universally asked is how muck power 323 00:26:20,380 --> 00:26:22,257 Meyer Lansky and I exercised over these... 324 00:26:22,420 --> 00:26:25,617 The art of our necessities is strange, 325 00:26:25,780 --> 00:26:29,170 we can make vile thins precioius. 326 00:26:29,340 --> 00:26:31,331 Even if the worst arrives... 327 00:26:31,500 --> 00:26:36,858 When the mind is free, the body's delicate. 328 00:26:37,020 --> 00:26:40,729 And in the end the system swallows up the gangsters 329 00:26:40,900 --> 00:26:44,131 and his gigantic mob, leaving behind... 330 00:26:44,300 --> 00:26:46,052 See what breeds about her heart. 331 00:26:47,580 --> 00:26:52,415 Is there any cause in nature that make these hard hearts? 332 00:26:52,580 --> 00:26:56,698 Then isolated men on the criminal landscape of America. 333 00:26:56,860 --> 00:27:00,020 I bear the mark of Cain, and... 334 00:27:00,020 --> 00:27:02,739 I bear the mark of Cain, and... 335 00:27:02,900 --> 00:27:05,334 Make no noise, make no noise. 336 00:27:05,500 --> 00:27:08,378 Draw the curtain, 337 00:27:08,540 --> 00:27:11,930 so... So... 338 00:27:12,100 --> 00:27:15,217 they'll go to supper in the morning. 339 00:27:15,380 --> 00:27:20,579 Sir, in my heart, there is a kind of fighting 340 00:27:20,740 --> 00:27:24,050 that will not let me sleep. 341 00:27:27,980 --> 00:27:29,129 Children... 342 00:27:31,020 --> 00:27:32,533 Children... 343 00:27:32,700 --> 00:27:35,419 You begot me, bred me, loved me. 344 00:27:36,660 --> 00:27:39,413 And I return thus duties as I right fit. 345 00:27:39,580 --> 00:27:43,539 Love you, obey you and most honour you. 346 00:27:43,700 --> 00:27:47,375 There is two telex, Mr. Learo. 347 00:27:57,220 --> 00:27:58,733 Your sisters. 348 00:28:03,100 --> 00:28:08,049 Sir, I love you more than word can weild the matter. 349 00:28:08,220 --> 00:28:12,771 Dearer than easysight, space... 350 00:28:12,940 --> 00:28:14,896 Space and liberty. 351 00:28:15,060 --> 00:28:17,779 Beyond what can be valued, 352 00:28:17,940 --> 00:28:21,853 rich or rare, no less than life. 353 00:28:22,020 --> 00:28:26,332 In grace, heath, beauty, honour, 354 00:28:26,500 --> 00:28:30,015 as much as child err loved, 355 00:28:30,180 --> 00:28:31,977 or father found. 356 00:28:33,020 --> 00:28:38,731 Love that makes breath poor and speech unable, 357 00:28:38,900 --> 00:28:43,257 beyond all manner of so much 358 00:28:43,420 --> 00:28:44,694 I love you. 359 00:28:47,020 --> 00:28:48,931 Is that Gloria? 360 00:28:49,100 --> 00:28:51,330 It was our eldest, yes. 361 00:28:52,940 --> 00:28:54,339 And Regina? 362 00:28:54,500 --> 00:28:59,699 The art of our necessities is strange that can make vile things precious. 363 00:28:59,860 --> 00:29:04,854 "I am made of that self-metal as my sister 364 00:29:05,020 --> 00:29:08,456 and prize me at her worth. 365 00:29:08,620 --> 00:29:10,258 In my true heart, 366 00:29:10,420 --> 00:29:15,130 I find she names my very dear thoughts... 367 00:29:15,300 --> 00:29:20,658 When the mind is free, the body's a target. 368 00:29:20,820 --> 00:29:24,893 "And find I'm alone". 369 00:29:29,860 --> 00:29:32,977 Make no noise. Make no noise. 370 00:29:33,140 --> 00:29:35,654 Draw the curtains. So. So. 371 00:29:35,820 --> 00:29:39,130 We'll go to supper in the morning. 372 00:29:39,300 --> 00:29:44,977 I find I'm alone, falicitate, in your dear highness love. 373 00:29:47,180 --> 00:29:48,898 Then poor Cordelia. 374 00:29:49,060 --> 00:29:54,009 And yet, not so, since I'm sure my love's more ponderous than my tongue. 375 00:29:54,180 --> 00:29:57,013 Tell me my daughters. 376 00:29:59,700 --> 00:30:04,649 Since now we will divest us both of power and business 377 00:30:04,820 --> 00:30:09,974 which of you shall we say, deservest most? 378 00:30:13,780 --> 00:30:17,170 Now my joy to who's young love... 379 00:30:17,340 --> 00:30:20,252 See what breeds about her heart. 380 00:30:21,900 --> 00:30:24,892 Is there any cause in nature 381 00:30:25,060 --> 00:30:28,018 that makes these hard hearts? 382 00:30:31,180 --> 00:30:32,579 Speak to me. 383 00:30:32,740 --> 00:30:35,573 - Nothing. - Nothing? 384 00:30:35,740 --> 00:30:37,856 No thing. 385 00:30:41,100 --> 00:30:43,375 Let me have surgeons. 386 00:30:43,540 --> 00:30:46,498 I am cut to the brains. 387 00:30:55,980 --> 00:30:58,733 I've never seen anything as stupid as these goblins. 388 00:30:58,900 --> 00:31:00,936 They're showing up too soon or too late. 389 00:31:01,100 --> 00:31:03,136 You never really know what they're up to. 390 00:31:03,300 --> 00:31:05,256 Then again, I suppose they don't either. 391 00:31:05,420 --> 00:31:09,698 They can't help it: these gentle and powerful beings. 392 00:31:09,860 --> 00:31:12,135 The secret agents of human memory. 393 00:31:12,300 --> 00:31:14,609 They blow it every time. 394 00:32:18,500 --> 00:32:22,095 And my love. Where is that cheap lady? 395 00:32:23,780 --> 00:32:29,696 I do believe her. No, I know. She lies. 396 00:32:34,700 --> 00:32:37,692 Does any here know me? 397 00:32:37,860 --> 00:32:41,091 This is not real. 398 00:32:42,260 --> 00:32:46,811 Does Lear walk thus? Speak thus? 399 00:32:48,460 --> 00:32:51,816 Where are his eyes? 400 00:32:53,060 --> 00:32:55,620 Either his notion weakens 401 00:32:55,780 --> 00:33:01,252 or his discernings are Iethargied. 402 00:33:03,700 --> 00:33:04,769 Waking! 403 00:33:06,220 --> 00:33:11,374 Waking. "Tis not so". 404 00:33:11,540 --> 00:33:15,772 Who is it that can tell me 405 00:33:15,940 --> 00:33:19,091 who I am. 406 00:33:29,340 --> 00:33:31,808 Lear's shadow. 407 00:33:43,700 --> 00:33:45,020 Have more than thou showest. 408 00:33:45,020 --> 00:33:46,135 Have more than thou showest. 409 00:33:46,300 --> 00:33:48,450 Speak less than thou knowest. 410 00:33:48,620 --> 00:33:52,579 Len less than thou owest. 411 00:33:52,740 --> 00:33:55,618 Ride more thou goest. 412 00:33:55,780 --> 00:33:58,931 - Hello? Excuse me, Mr Learo? - Learn more than thou trowest. 413 00:34:03,460 --> 00:34:05,769 Have more than thou showest. 414 00:34:05,940 --> 00:34:08,249 Speak less than thou knowest. 415 00:34:08,420 --> 00:34:12,459 Lend less than thou owest. Ride more than thou goest. 416 00:34:13,620 --> 00:34:16,088 Learn more than thou trowest. 417 00:34:28,420 --> 00:34:32,459 Whereforeare you not odd. 418 00:34:34,420 --> 00:34:37,093 I'm old. 419 00:34:49,140 --> 00:34:51,574 What are you writing for? 420 00:34:51,740 --> 00:34:55,938 I'm trying to recover the work of my ancestor. 421 00:34:56,100 --> 00:35:00,457 I understand you've been working on this problem here, doctor? 422 00:35:07,420 --> 00:35:09,615 Well, nobody writes. 423 00:35:12,260 --> 00:35:15,252 So writing still exists. 424 00:35:18,220 --> 00:35:24,216 The trouble of what we're looking for. 425 00:35:26,620 --> 00:35:29,214 It doesn't make sense. 426 00:35:29,380 --> 00:35:32,372 Nobody does it. 427 00:35:33,900 --> 00:35:36,653 Just what are you aiming at, Professor? 428 00:35:43,500 --> 00:35:48,858 When the professor farts, the moonbeams are trembling. 429 00:35:49,020 --> 00:35:53,218 No, no. Don't pretend to be a fool. 430 00:35:53,380 --> 00:35:56,736 Light it! It's been invented. 431 00:36:06,660 --> 00:36:10,175 Fools have bear crazyness in years for wise men have grown foppish. 432 00:36:10,340 --> 00:36:14,538 And know not how their wits to wear are their manners so apish. 433 00:36:16,620 --> 00:36:21,455 How is it that you're always disobeying, Edgar? 434 00:36:21,620 --> 00:36:23,053 Oh what? 435 00:36:23,220 --> 00:36:24,653 No, professor. No, no. 436 00:36:27,020 --> 00:36:28,419 Children. 437 00:36:28,580 --> 00:36:30,571 Ah, children. 438 00:36:31,700 --> 00:36:34,578 What is their need for learning? 439 00:36:37,660 --> 00:36:40,970 They don't hear no thing. 440 00:36:41,140 --> 00:36:42,892 Yes we do, professor. 441 00:36:43,060 --> 00:36:45,654 Eh, e, a] r] 442 00:36:45,820 --> 00:36:50,052 What's that? 443 00:36:51,660 --> 00:36:53,696 Cry you mercy. 444 00:36:53,860 --> 00:36:57,011 I took you for a trade-school. 445 00:37:01,300 --> 00:37:03,336 Yes, it is a bet. 446 00:37:03,500 --> 00:37:07,095 Each one of us when one does anything, 447 00:37:07,260 --> 00:37:10,616 one is always disobedient in some way to something. 448 00:37:10,780 --> 00:37:12,736 Or obedient to something. 449 00:37:12,900 --> 00:37:17,496 Yes, and watch Mrs. Bersano. 450 00:37:17,660 --> 00:37:20,777 But disobedient is more interesting. 451 00:37:23,900 --> 00:37:27,495 Really, you never study, Mr. Shakespeare? 452 00:37:27,660 --> 00:37:31,858 Number five. I'm in her Majesty's service 453 00:37:32,020 --> 00:37:33,294 and I obey my orders 454 00:37:33,460 --> 00:37:37,248 and my orders are to bring the work of my ancestor to life, 455 00:37:37,420 --> 00:37:39,536 but I can't stop till the story's over. 456 00:37:39,700 --> 00:37:42,055 Yeah, what's this all say? 457 00:37:42,220 --> 00:37:46,213 Little bitty laughs. 458 00:37:46,380 --> 00:37:51,500 They've all disobeyed goodness, death. 459 00:37:51,660 --> 00:37:54,094 Know thou art an "O", 460 00:37:54,260 --> 00:37:56,820 Well, thou art an "O" without a finger. 461 00:37:56,980 --> 00:38:00,131 I am better than thou art now. 462 00:38:00,300 --> 00:38:02,097 I'm a full. 463 00:38:02,260 --> 00:38:03,898 Thou art nothing. 464 00:38:04,060 --> 00:38:07,575 Yes, Versus, I will hold my tongue. 465 00:38:07,740 --> 00:38:10,971 So your face bids me though you say nothing. 466 00:38:11,140 --> 00:38:12,892 Mum, mum. 467 00:38:18,500 --> 00:38:22,493 It is born and it is burnt. 468 00:38:24,940 --> 00:38:27,500 It begins from the thing it ends. 469 00:38:29,380 --> 00:38:30,859 At the same time. 470 00:38:32,300 --> 00:38:34,416 Birth and death, 471 00:38:34,580 --> 00:38:40,450 linked, like mouth and breath. 472 00:38:40,620 --> 00:38:43,976 The answer to your question is there. 473 00:38:46,500 --> 00:38:49,970 What we are looking for is like that fire. 474 00:38:51,260 --> 00:38:55,890 It is born from what it destroys. 475 00:38:56,060 --> 00:38:59,735 Then what it it? Tell me the name. 476 00:39:11,900 --> 00:39:15,939 I ain't interested in names. 477 00:39:16,100 --> 00:39:19,570 Why is that? 478 00:39:19,740 --> 00:39:23,619 Look! No names, no lines. No lines, no story. 479 00:39:28,420 --> 00:39:30,695 To name things makes the professor pee. 480 00:39:30,860 --> 00:39:35,615 Who are they? To need a name to exist. 481 00:39:51,100 --> 00:39:53,489 Do I need a name 482 00:39:53,660 --> 00:39:57,414 to see live beauty. 483 00:39:57,580 --> 00:40:00,140 I don't agree. 484 00:40:05,900 --> 00:40:10,178 Do you need to say red to see red? 485 00:40:11,900 --> 00:40:15,813 Do I need to say lips to say... 486 00:40:15,980 --> 00:40:18,210 I love you. 487 00:40:23,500 --> 00:40:24,853 I disagree. 488 00:40:25,020 --> 00:40:27,534 With no word, then come the mistake. 489 00:40:27,700 --> 00:40:30,020 - I need the memory. - But between us into vanity. 490 00:40:30,020 --> 00:40:30,657 - I need the memory. - But between us into vanity. 491 00:40:30,820 --> 00:40:33,573 How can I possibly reach words with no words? 492 00:40:33,740 --> 00:40:35,571 First, the tragedy of choice. 493 00:40:35,740 --> 00:40:40,416 And then second, the comedy of errors. 494 00:40:42,380 --> 00:40:47,329 Suppose we made a mistake at the very very beginning, 495 00:40:47,500 --> 00:40:50,970 and we called red green. 496 00:40:51,140 --> 00:40:53,051 How would we know today? 497 00:40:53,220 --> 00:40:56,815 Betwixt mine eye and heart a league is took. 498 00:40:56,980 --> 00:40:58,891 A tension twisted in memory... 499 00:40:59,060 --> 00:41:01,210 to show you what it's like. 500 00:41:01,380 --> 00:41:02,893 Yes, tell me, professor. 501 00:41:03,060 --> 00:41:08,339 - Show. - Show. - Show, that's what. 502 00:41:08,500 --> 00:41:10,456 Show must go on. 503 00:42:19,620 --> 00:42:24,648 A violent silence. The silence of Cordelia. 504 00:42:24,820 --> 00:42:29,974 To the question of a king, her father, 505 00:42:30,140 --> 00:42:32,813 her answer was: nothing. 506 00:42:32,980 --> 00:42:36,052 No thing. 507 00:42:36,220 --> 00:42:39,974 But Cordelia is not mute. 508 00:42:40,140 --> 00:42:43,530 It is not that she hasn't say anything. 509 00:42:43,700 --> 00:42:48,216 She has said: "Nothing. 510 00:42:48,380 --> 00:42:49,938 No thing". 511 00:42:51,420 --> 00:42:54,059 This girl silence, which is not mute, 512 00:42:54,220 --> 00:42:56,336 does not lead to violence. 513 00:42:56,500 --> 00:43:01,972 But everything that conspires and organizes itself around her silence 514 00:43:02,140 --> 00:43:05,974 that want to silence her silence. 515 00:43:08,060 --> 00:43:09,891 This produces violence. 516 00:44:43,300 --> 00:44:46,656 Let me not be mad. Not mad, sweet heaven. 517 00:44:46,820 --> 00:44:52,019 Keep me in temper. I would not be mad. 518 00:45:04,140 --> 00:45:06,654 You must bear with me. 519 00:45:06,820 --> 00:45:08,617 I'm old and foolish. 520 00:45:14,900 --> 00:45:16,777 Let me not be mad. 521 00:45:16,940 --> 00:45:22,378 Not mad, sweet heaven. 522 00:45:25,500 --> 00:45:28,014 I don't know if I made this clear before, 523 00:45:28,180 --> 00:45:30,330 but this was after Chernobyl. 524 00:45:30,500 --> 00:45:34,175 We are in a time now when movies, and more generally art, 525 00:45:34,340 --> 00:45:36,854 have been lost. Do not exist, 526 00:45:37,020 --> 00:45:39,409 and most somehow be reinvented. 527 00:45:44,740 --> 00:45:47,174 Thanks to the old man and his daughter, 528 00:45:47,340 --> 00:45:48,853 I had some of the lines. 529 00:46:01,580 --> 00:46:05,209 Her answer was: "Nothing. No thing". 530 00:46:05,380 --> 00:46:10,170 It does not mean anything. She has said: 531 00:46:10,340 --> 00:46:14,891 "Nothing. No thing". 532 00:46:37,260 --> 00:46:41,378 I don't know if I made this clear before but this was after Chernobyl. 533 00:46:41,540 --> 00:46:46,898 We are in a time where movies and more generally art 534 00:46:47,060 --> 00:46:49,938 has been lost, do not exist. 535 00:46:50,100 --> 00:46:52,694 And it has to be somehow reinvented. 536 00:46:52,860 --> 00:46:56,614 Thanks to the old man and his daughter, I have some lines 537 00:46:56,780 --> 00:46:59,931 and I was told this man Pluggy and, 538 00:47:00,100 --> 00:47:02,170 I still don't know what to call them, 539 00:47:02,340 --> 00:47:04,535 they had to go together with the lines. 540 00:47:04,700 --> 00:47:08,056 Somehow I felt they needed to go together, that's why... 541 00:47:08,220 --> 00:47:11,257 Do not abuse me. 542 00:47:11,420 --> 00:47:14,014 I meant to please you Highness all. 543 00:47:14,180 --> 00:47:15,020 You must bear with me. I am old an foolish. 544 00:47:15,020 --> 00:47:18,854 You must bear with me. I am old an foolish. 545 00:47:19,020 --> 00:47:22,899 Thou shouldst not have been old 'till thou hadst been wise. 546 00:47:23,060 --> 00:47:25,051 Oh... 547 00:47:25,220 --> 00:47:30,340 Let me not be mad, not mad, sweet heaven! 548 00:47:35,740 --> 00:47:37,298 Yes, tell me professor. 549 00:47:37,460 --> 00:47:42,250 - So. - So! - So! Show. Not tell. 550 00:48:03,460 --> 00:48:05,655 There's a lot of noise around here, huh? 551 00:48:08,580 --> 00:48:10,138 What's it for? 552 00:48:18,380 --> 00:48:20,177 What's it all for, professor! 553 00:48:21,220 --> 00:48:22,778 Please! 554 00:48:29,100 --> 00:48:33,332 Welcome, my dear Mr. Shakespeare. Welcome. 555 00:48:33,500 --> 00:48:34,853 What is all that? 556 00:48:35,020 --> 00:48:37,454 - Snakes. - Mister, brother a mystery. - Number five. 557 00:48:43,860 --> 00:48:46,420 And you, my dear Mr. Shakespeare. 558 00:48:52,020 --> 00:48:54,898 You see, all those reckless words 559 00:48:55,060 --> 00:48:57,415 for the simple things on earth. 560 00:48:57,580 --> 00:49:01,812 It's only life and how it works. 561 00:49:01,980 --> 00:49:05,609 Thank you indeed for this definition of life. 562 00:49:05,780 --> 00:49:11,013 Oh, not life. Only an image. 563 00:49:13,060 --> 00:49:15,938 An image? What's that again? 564 00:49:21,380 --> 00:49:25,453 The image is a pure creation of the soul. 565 00:49:25,620 --> 00:49:28,976 It can not be born of a comparison, 566 00:49:29,140 --> 00:49:33,292 but of a reconciliation of two realities 567 00:49:33,460 --> 00:49:36,896 that tell more as far apart. 568 00:49:40,420 --> 00:49:46,097 The more the connection between these two realities are distanced, 569 00:49:46,260 --> 00:49:50,333 too, the stronger they get to be, 570 00:49:50,500 --> 00:49:53,219 the more they emote the power. 571 00:49:58,740 --> 00:50:02,255 Two realities that have no connection, 572 00:50:02,420 --> 00:50:05,492 can not be drawn together usefully. 573 00:50:06,900 --> 00:50:09,050 There is no creation of an image. 574 00:50:11,140 --> 00:50:17,454 Two contrary realities will not come together. They oppose each other. 575 00:50:17,620 --> 00:50:23,650 One rarely obtains forces and power from either position. 576 00:50:26,540 --> 00:50:31,853 So out went the candle and we were left darkened. 577 00:50:32,020 --> 00:50:37,378 So out went the candle and we were left darkened. 578 00:50:37,540 --> 00:50:42,011 An image is not strong because it is brilliant 579 00:50:42,180 --> 00:50:45,252 or fantastic 580 00:50:45,420 --> 00:50:50,130 because it is the sensation of ideas is distant and true. 581 00:51:00,700 --> 00:51:03,214 The result that is obtained immediately 582 00:51:03,380 --> 00:51:06,292 controls the thus of the cessation. 583 00:51:14,300 --> 00:51:17,531 A narration is the major mark of creation. 584 00:51:17,700 --> 00:51:21,409 It teaches the symbols of connections. 585 00:51:27,220 --> 00:51:31,896 The power and virtue of the created image 586 00:51:32,060 --> 00:51:35,655 depends on the nature of these connections. 587 00:51:42,380 --> 00:51:45,338 What is great is not the image 588 00:51:45,500 --> 00:51:49,049 but the emotions that it provokes. 589 00:51:54,020 --> 00:51:55,897 If the latter is great, 590 00:51:56,060 --> 00:52:00,212 one obtains the image at its measure. 591 00:52:04,820 --> 00:52:08,574 The emotion thus provoked is true 592 00:52:08,740 --> 00:52:12,938 because it is born outside of all imitation. 593 00:52:13,100 --> 00:52:17,457 All evocation. And all resemblance. 594 00:52:28,060 --> 00:52:30,699 I'll go and see. I'll ask Virginia. 595 00:52:49,580 --> 00:52:51,218 Ready to go? 596 00:52:51,380 --> 00:52:55,817 - May I bring some friend? - The old man and the young lady? 597 00:52:55,980 --> 00:52:59,290 - How do you know? - Never know, always see. 598 00:52:59,460 --> 00:53:01,291 Never know, always see. 599 00:53:03,300 --> 00:53:06,053 - Anyway, what's her name? - Cordelia. 600 00:53:06,220 --> 00:53:10,179 That's her real name or you just invented it? 601 00:53:10,340 --> 00:53:14,128 - Well... - You're the sparkler, my friend. 602 00:53:14,300 --> 00:53:15,528 You're the sparkler. 603 00:53:15,700 --> 00:53:19,454 When you and Edgar did just now 604 00:53:21,540 --> 00:53:25,692 its glow was dirty yellow. 605 00:53:28,060 --> 00:53:31,052 If it's gleaming white in her hand, 606 00:53:31,220 --> 00:53:33,859 then her virtue is true. 607 00:53:34,020 --> 00:53:38,093 And her name is Cordelia. 608 00:54:18,140 --> 00:54:22,213 A violent silence. The silence of Cordelia. 609 00:54:22,380 --> 00:54:25,816 To the question of a king, a gangster, her father, 610 00:54:25,980 --> 00:54:31,338 her answer is: nothing. He demands the essential. 611 00:54:31,500 --> 00:54:34,537 How is he loved? Desired? 612 00:54:34,700 --> 00:54:39,728 From where is he loved? He has power. He is king. 613 00:54:39,900 --> 00:54:41,572 He wants to be wanted. 614 00:54:41,740 --> 00:54:44,777 Who wants him? Nothing. 615 00:54:44,940 --> 00:54:50,333 Not will, not intelligence, no sex 616 00:54:50,500 --> 00:54:56,052 but all the same, a body, a little bit of flesh. 617 00:54:56,220 --> 00:55:00,850 Because for Learo, to hear is to see. 618 00:55:01,020 --> 00:55:05,730 A man may see how this world goes with no eyes. 619 00:55:05,900 --> 00:55:08,812 Look with thin ears. 620 00:55:10,500 --> 00:55:13,776 This is what he tries to do, the king who calls himself L'ear: 621 00:55:13,940 --> 00:55:18,172 E A R. In listening to his daughter, 622 00:55:18,340 --> 00:55:23,289 he hopes to see their entire bodies stretched out across their voices. 623 00:55:25,260 --> 00:55:28,093 What he wants is not what he desires. 624 00:55:28,260 --> 00:55:32,014 What he wants is to forget this desire that he can not stand. 625 00:55:32,180 --> 00:55:35,377 The nothing of Cordelia. 626 00:55:37,100 --> 00:55:39,056 So that he can silence the silence, 627 00:55:39,220 --> 00:55:41,893 he listens as though he were watching television. 628 00:55:42,060 --> 00:55:46,656 But Cordelia. What she shows in speaking 629 00:55:46,820 --> 00:55:50,495 is not "nothing", but her very presence, 630 00:55:50,660 --> 00:55:53,538 her exactitude. 631 00:56:56,100 --> 00:56:57,215 Take off. 632 00:57:01,180 --> 00:57:02,613 Get out. 633 00:57:12,980 --> 00:57:15,972 So what do you think will happen now? 634 00:57:18,300 --> 00:57:21,895 - You will not have that for me. - No, no. 635 00:57:23,460 --> 00:57:27,373 Come. Let's away to prison. 636 00:57:27,540 --> 00:57:31,533 We two alone will sing... 637 00:57:31,700 --> 00:57:33,338 Take me out of the grave. 638 00:57:33,500 --> 00:57:36,094 ...like birds in the cage. 639 00:57:36,260 --> 00:57:40,731 And when thus dost ask my blessing, 640 00:57:40,900 --> 00:57:43,209 I'll knell down... 641 00:57:43,380 --> 00:57:45,336 on a wheel of fire. 642 00:57:45,500 --> 00:57:50,654 ...And ask of thee forgiveness. 643 00:57:50,820 --> 00:57:54,972 So we'll live and pray and sin 644 00:57:57,020 --> 00:57:58,976 and tell old tales... 645 00:57:59,140 --> 00:58:01,335 They are not men of their words. 646 00:58:01,500 --> 00:58:06,449 ...and laugh at gilded butterflies 647 00:58:06,620 --> 00:58:10,977 and here poor rogues talk of court news. 648 00:58:13,300 --> 00:58:15,655 We'll talk with them too. 649 00:58:17,100 --> 00:58:23,335 Who loses and who wins who then who's out. 650 00:58:25,380 --> 00:58:30,852 And take upon us the mystery of things. 651 00:58:31,020 --> 00:58:36,140 As if we were God's spies. 652 00:58:38,340 --> 00:58:43,175 And we'll wear out in a walled prison 653 00:58:44,420 --> 00:58:47,776 parts and sex of great ones 654 00:58:47,940 --> 00:58:53,094 who ebbed and flowed 655 00:58:53,260 --> 00:58:55,774 by the moon. 656 00:59:04,420 --> 00:59:06,775 People forget that you hear your own voice 657 00:59:06,940 --> 00:59:10,296 not with your ears but with your throat. 658 00:59:10,460 --> 00:59:14,214 I've reinvented the lines, I've reinvented the plot. 659 00:59:14,380 --> 00:59:19,852 Now it's up to the characters. Or are they actors. 660 00:59:20,020 --> 00:59:24,411 Which is the Doctor Jeckyl and which is Mr. Hyde? 661 00:59:24,580 --> 00:59:28,414 All I know is that I can't control either. 662 00:59:28,580 --> 00:59:30,889 Maybe they're controlling me. 663 00:59:31,060 --> 00:59:36,896 Obviously this old man was power. 664 00:59:37,060 --> 00:59:41,133 Obviously this girl was virtue. 665 00:59:41,300 --> 00:59:42,858 They are fighting. 666 00:59:44,940 --> 00:59:47,852 I don't know what the issue is. 667 00:59:57,140 --> 00:59:59,017 Do you have any cigarettes? 668 00:59:59,180 --> 01:00:04,891 Pall Mall, Malboro, Lucky Strike, Camel, Philip Morris... 669 01:00:05,060 --> 01:00:08,655 - You don't have Kent filters? - I'm sorry no. 670 01:00:10,460 --> 01:00:13,179 Quiet Virginia. This is a family residence. 671 01:00:13,340 --> 01:00:17,219 Nature's above art in that respect. 672 01:00:17,380 --> 01:00:22,659 Good light form the north or from the south? 673 01:00:22,820 --> 01:00:26,813 Pall Mall, Lucky Strike, Camel, Philip Morris, Malboro. 674 01:00:26,980 --> 01:00:29,335 That's fine Virginia. 675 01:00:29,500 --> 01:00:33,413 - What paper did you say you were from? - From New York Times. 676 01:00:36,060 --> 01:00:37,288 Why that? 677 01:00:38,860 --> 01:00:42,091 Oh, that. Well, you see 678 01:00:42,260 --> 01:00:44,057 I'll tell you, miss. 679 01:00:48,340 --> 01:00:49,898 Yeah, yeah. 680 01:00:51,300 --> 01:00:55,612 Where the chairs are placed here 681 01:00:55,780 --> 01:01:00,058 they are all facing the same space and direction. 682 01:01:01,460 --> 01:01:05,055 And the voices going over that space 683 01:01:05,220 --> 01:01:08,292 it's projected all over. 684 01:01:08,460 --> 01:01:11,896 You know, in a simple living room in an apartment, 685 01:01:12,060 --> 01:01:16,292 when someone is speaking, 686 01:01:16,460 --> 01:01:21,580 all the people are listening around the walled space. 687 01:01:21,740 --> 01:01:25,779 Not here, miss. Not here. This is our invention. 688 01:01:25,940 --> 01:01:31,412 All the people are facing the same direction, same... 689 01:01:31,580 --> 01:01:35,892 Same space. Even suppose it is dark, 690 01:01:36,060 --> 01:01:39,814 people will know where to look at. 691 01:01:39,980 --> 01:01:42,813 In a simple apartment if it's in the dark, 692 01:01:42,980 --> 01:01:46,450 people are lost. They don't know what to look at. 693 01:01:46,620 --> 01:01:48,133 Here they know. 694 01:01:48,300 --> 01:01:50,575 Okay, but why that? 695 01:01:50,740 --> 01:01:53,573 That, my dear, it will kill you. 696 01:01:53,740 --> 01:01:58,894 - You mean the truth? - Yes, if it's properly centered. 697 01:01:59,060 --> 01:02:01,699 Professor Qentef has arrived. 698 01:02:01,860 --> 01:02:03,418 Hello, my dear Salow. 699 01:02:03,580 --> 01:02:05,889 You may excuse the battle, I need your car. 700 01:02:06,060 --> 01:02:10,975 This is professor Quentef, she is the Arkansas Daily. 701 01:02:11,140 --> 01:02:12,937 No, from the New York Times. 702 01:02:13,100 --> 01:02:15,250 You come all the way from Lenningrad? 703 01:02:28,220 --> 01:02:30,256 What's the name of your invention, Mr. Quentef? 704 01:02:36,820 --> 01:02:39,129 Image, that's a great word. 705 01:02:39,300 --> 01:02:41,211 They are not men of their word. 706 01:02:41,380 --> 01:02:44,258 They told me I was everything. 707 01:02:44,420 --> 01:02:50,336 'Tis a lie. I am not. 708 01:02:51,500 --> 01:02:55,015 Let's hope that we don't make any mistakes, Mr. Shakespeare. 709 01:02:55,180 --> 01:02:57,410 - Number five. - What do you mean? 710 01:02:59,060 --> 01:03:03,815 With all those damned and reckless words, one never knows. 711 01:03:03,980 --> 01:03:05,413 I don't get it. 712 01:03:07,100 --> 01:03:12,220 Suppose, my dear, we call it "image" 713 01:03:12,380 --> 01:03:17,454 and that the real word is reality. 714 01:03:17,620 --> 01:03:19,178 Then change it. 715 01:03:24,220 --> 01:03:27,530 No, no. 716 01:03:29,100 --> 01:03:33,252 It's right. Must come from the back. 717 01:03:34,780 --> 01:03:36,611 From the back. 718 01:03:40,980 --> 01:03:42,732 We got the wind. 719 01:03:42,900 --> 01:03:45,368 Nature's above art in that respect. 720 01:03:45,540 --> 01:03:47,212 It's too narrow. 721 01:03:49,340 --> 01:03:56,132 Needs a push of reality out. 722 01:04:11,820 --> 01:04:14,971 Anyway, we have to stop the experiment. 723 01:04:15,140 --> 01:04:16,732 No, why that? 724 01:04:19,660 --> 01:04:21,651 Something is missing 725 01:04:23,740 --> 01:04:24,695 OF someone. 726 01:04:26,420 --> 01:04:29,173 I'm there. 727 01:04:29,340 --> 01:04:33,219 No, you have boggled the experiment like all of us, 728 01:04:33,380 --> 01:04:35,655 we are all part of it. 729 01:04:38,540 --> 01:04:42,738 Even if we have not found it, whatever you call it, reality 730 01:04:42,900 --> 01:04:45,972 or image, we fought for it. 731 01:04:46,140 --> 01:04:48,495 And by god, we are no longer innocent. 732 01:04:51,260 --> 01:04:53,649 Professor, there are two people here. 733 01:05:21,060 --> 01:05:24,336 Peace, Mr. Shakespeare. 734 01:05:34,340 --> 01:05:38,697 Come not between the dragon and his wrath. 735 01:05:40,740 --> 01:05:45,336 I loved her most and thought 736 01:05:45,500 --> 01:05:51,416 to find my rest in her kind nursery. 737 01:05:53,300 --> 01:05:56,610 Hence. And avoid my sight. 738 01:05:59,620 --> 01:06:04,011 So be my grave, my peace. 739 01:07:09,140 --> 01:07:12,496 I went one last time to visit this mysterious young woman. 740 01:07:12,660 --> 01:07:16,448 She was asleep. Or maybe sleeping, or just pretending. 741 01:07:16,620 --> 01:07:19,339 There were so many questions still unanswered. 742 01:07:19,500 --> 01:07:23,812 The old man, facing the screen, had not dared pronounce the words: 743 01:07:23,980 --> 01:07:26,016 "As here I give her father's heart for..." 744 01:07:26,180 --> 01:07:27,772 I've a message from your father. 745 01:07:27,940 --> 01:07:30,020 I didn't quite understand them myself when I wrote them, 746 01:07:30,020 --> 01:07:30,497 I didn't quite understand them myself when I wrote them, 747 01:07:30,660 --> 01:07:32,730 but I can't afford to lose them. 748 01:07:32,900 --> 01:07:34,219 Come, let's away to prison. 749 01:07:34,380 --> 01:07:37,258 As here I give her father's heart from her. 750 01:07:37,420 --> 01:07:40,890 We two alone will sing like birds in a cage. 751 01:07:48,980 --> 01:07:52,177 The doctor use the word prison last night. Remember? 752 01:07:52,340 --> 01:07:54,570 You where there. 753 01:07:56,820 --> 01:07:58,731 Oh maybe I wasn't there myself. 754 01:08:17,540 --> 01:08:19,371 What do you think will happen now? 755 01:08:21,300 --> 01:08:23,609 Before seven years have passed, 756 01:08:23,780 --> 01:08:27,090 the Americans will lose everything they have in France, 757 01:08:27,260 --> 01:08:31,811 in a great victory which God is sending to the French. 758 01:08:33,820 --> 01:08:36,414 I say this now so when the time has come 759 01:08:36,580 --> 01:08:38,855 it will be remembered that I've said it. 760 01:08:41,140 --> 01:08:42,778 In what year, on what day? 761 01:08:45,100 --> 01:08:48,012 You will not have that from me. 762 01:08:57,860 --> 01:09:01,091 How can you know whether your apparitions are male or female? 763 01:09:01,260 --> 01:09:03,694 I see and I hear. 764 01:09:12,020 --> 01:09:15,217 - Do they have hair? - That could be. 765 01:09:28,100 --> 01:09:29,977 Their hair is it long and hanging? 766 01:09:30,140 --> 01:09:32,893 I don't even know if there are arms and a body. 767 01:09:33,060 --> 01:09:37,417 How do they speak if they don't have bodies? 768 01:09:38,740 --> 01:09:40,731 These apparitions. 769 01:09:40,900 --> 01:09:43,653 Have they promised to deliver you from prison? 770 01:09:43,820 --> 01:09:49,053 - Yes. - From the prison that you are in at this moment? 771 01:09:49,220 --> 01:09:51,654 I told you that you cannot know all. 772 01:09:51,820 --> 01:09:56,974 It must come to pass that one day I will be delivered. 773 01:09:57,140 --> 01:10:00,018 Thos that wish to take me from this world 774 01:10:00,180 --> 01:10:02,614 could well have to leave it before me. 775 01:10:10,860 --> 01:10:15,695 Your voices have always promised that you would be delivered. 776 01:10:19,460 --> 01:10:21,530 Your voices have deceived you. 777 01:10:25,060 --> 01:10:27,574 Yes, they have deceived me. 778 01:10:38,580 --> 01:10:40,411 You write what is against me. 779 01:10:40,580 --> 01:10:42,491 You do not write for me. 780 01:10:55,100 --> 01:10:56,977 Kingdom of France. 781 01:11:52,980 --> 01:11:55,574 Ninety-nine percent of the play had now been rediscovered. 782 01:11:55,740 --> 01:11:57,696 Maybe even a hundred and one. 783 01:11:57,860 --> 01:11:59,896 I came to thank Professor Pluggy. 784 01:12:00,060 --> 01:12:02,449 I guess the first bells of Easter were ringing. 785 01:13:48,740 --> 01:13:51,254 Mr. Alien. 786 01:13:51,420 --> 01:13:54,332 Mr. Alien. 787 01:14:03,420 --> 01:14:05,570 Yes, they were Easter bells. 788 01:14:05,740 --> 01:14:09,210 The images were there as knew. Innocent. 789 01:14:09,380 --> 01:14:14,773 Shy. Strong. Now I understand the Pluggy sacrifice was not in vain. 790 01:14:15,020 --> 01:14:17,659 Now I understand through his work St. Pauls' words 791 01:14:17,820 --> 01:14:20,778 that the image will appear in the time of resurrection. 792 01:14:36,420 --> 01:14:37,489 Stop! 793 01:14:40,380 --> 01:14:44,896 Unhappy that I am, I cannot heave my heart into my mouth. 794 01:14:53,140 --> 01:14:57,213 Unhappy that I am, I cannot heave my heart into my mouth. 795 01:15:02,220 --> 01:15:05,178 The images were there as new. 796 01:15:05,340 --> 01:15:08,218 Innocent, shy, and strong. 797 01:15:08,380 --> 01:15:10,450 The images were there as new. 798 01:15:10,620 --> 01:15:13,976 Innocent, shy, and strong. 799 01:17:52,460 --> 01:17:54,815 I might have saved her 800 01:17:54,980 --> 01:17:58,097 but now she's gone forever. 801 01:17:58,260 --> 01:18:02,572 Cordelia! Cordelia! Stay a little. 802 01:18:07,580 --> 01:18:09,377 What is thou sayest? 803 01:18:09,540 --> 01:18:15,695 Her voice was ever soft and gentle 804 01:18:15,860 --> 01:18:21,492 and low, and excellent thing in women. 805 01:18:21,660 --> 01:18:23,616 Tis true, my lord. 806 01:18:23,780 --> 01:18:26,294 Did I not, fella, 807 01:18:28,060 --> 01:18:31,848 I've seen the day with my good biting falcon! 808 01:18:32,020 --> 01:18:33,772 I would have made them skip! 809 01:18:35,300 --> 01:18:39,259 I'm old now, and these same crosses 810 01:18:40,940 --> 01:18:42,339 spoil me. 811 01:18:43,780 --> 01:18:45,054 Who are you? 812 01:18:45,220 --> 01:18:49,975 Mine eyes not at the best, 813 01:18:50,140 --> 01:18:52,131 I tell you straight. 814 01:18:52,300 --> 01:18:56,930 Your fortune brag of two she loved and hated. 815 01:18:57,100 --> 01:18:59,694 One of them we behold. 816 01:19:05,740 --> 01:19:09,255 This is a blow, son. 817 01:19:12,460 --> 01:19:14,769 - Are you not Edgar? - Yes, sir. 818 01:19:27,540 --> 01:19:31,328 I must be bad, no not mad. 819 01:19:34,020 --> 01:19:36,215 Give me the temper. 820 01:19:38,100 --> 01:19:39,852 I would not be mad. 821 01:19:42,820 --> 01:19:45,254 And in me too, the wave rises, 822 01:19:45,420 --> 01:19:48,969 it swells, it arches its back. 823 01:19:50,380 --> 01:19:53,690 I am aware once more of a new desire. 824 01:19:54,820 --> 01:19:57,050 Something rises beneath me 825 01:19:57,220 --> 01:20:01,611 like the proud horse whose rider first spurs 826 01:20:01,780 --> 01:20:03,975 and then pulls him back. 827 01:20:06,020 --> 01:20:09,695 What enemy do we now perceive advancing against us? 828 01:20:09,860 --> 01:20:12,454 You, whom I ride now. 829 01:20:12,620 --> 01:20:16,818 As we stand pawing this stretch of pavement. 830 01:20:24,500 --> 01:20:27,412 It is death against whom I ride. 831 01:20:27,580 --> 01:20:33,098 With my spear couched and my hair lying back like a young man's. 832 01:20:33,260 --> 01:20:37,538 Like Hercable's when he galloped in India. 833 01:20:39,100 --> 01:20:41,773 I strike spurs into my horse. 834 01:20:41,940 --> 01:20:45,819 Against you I will fling myself 835 01:20:45,980 --> 01:20:49,814 unvanquished and unyielding. 836 01:20:52,300 --> 01:20:54,097 Oh, death. 837 01:20:55,700 --> 01:20:57,452 She's gone forever. 838 01:21:00,620 --> 01:21:05,136 I know when one is dead and when one lives. 839 01:21:07,180 --> 01:21:09,774 She's dead as earth 840 01:21:12,740 --> 01:21:15,493 then me a looking glass. 841 01:21:16,860 --> 01:21:20,489 If that her breath or mist would stain the stone. 842 01:21:20,660 --> 01:21:26,417 - Edgar! - Why then she lives? 843 01:21:26,580 --> 01:21:29,299 It's a pity there is not music. 844 01:21:31,420 --> 01:21:36,938 Okay, let's use gentle words for once. 845 01:21:37,100 --> 01:21:40,775 To accompany the dawn of our first image. 846 01:22:12,860 --> 01:22:15,977 The weight of this sad time we must obey. 847 01:22:16,140 --> 01:22:19,735 Speak what we feel, not what we ought to say. 848 01:22:19,900 --> 01:22:22,573 The oldest hat on most 849 01:22:22,740 --> 01:22:26,176 be that it's young, shall never see so much. 850 01:22:26,340 --> 01:22:28,296 - Light sir. - Or live so long. 851 01:22:28,460 --> 01:22:31,258 I couldn't help remembering Pluggy's last words. 852 01:22:31,420 --> 01:22:36,175 Mr. Alien. The bad time of Chernobyl had long been forgotten. 853 01:22:36,340 --> 01:22:39,377 The motion picture industry was growing fast again. 854 01:22:39,540 --> 01:22:42,373 Paramount, Fox, Warners were booming. 855 01:22:42,540 --> 01:22:45,293 And so was the Cannon Cultural Division. 856 01:22:45,460 --> 01:22:49,738 I was finishing the picture or bringing this twisted fairy tale 857 01:22:49,900 --> 01:22:54,018 to and end in a small editing place they had hired for me. 858 01:22:54,180 --> 01:22:58,014 The man in charge was named Mr. Alien. 859 01:22:58,180 --> 01:23:01,775 - Lights, sir. - This can't be no accident. - Lights, sir. 860 01:23:01,940 --> 01:23:06,252 Oh, then I see a king dealing alone with his many subjects. 861 01:23:06,420 --> 01:23:07,489 Lights, sir. 862 01:23:23,100 --> 01:23:25,136 Twenty years later I still wonder. 863 01:23:28,340 --> 01:23:30,570 Why not some other gentleman 864 01:23:30,740 --> 01:23:32,935 from Moscow or Beverly Hills? 865 01:23:35,020 --> 01:23:36,976 Handling. Why don't they just order 866 01:23:37,140 --> 01:23:39,608 some goblin to shoot this twisted fairy tales? 867 01:23:39,780 --> 01:23:45,173 In both hands the present, the future 868 01:23:47,060 --> 01:23:48,618 and the past. 869 01:24:05,660 --> 01:24:10,734 No. I will be the pattern of all patience. I will say nothing. 870 01:24:12,820 --> 01:24:14,811 Am I in France? 871 01:24:14,980 --> 01:24:17,574 - In your own kingdom, sir. - Do not abuse me. 872 01:24:34,060 --> 01:24:38,531 She's so young and so untender. 873 01:24:47,500 --> 01:24:52,369 So young, my lord, and true. 874 01:24:54,220 --> 01:24:59,169 Like as the waves make towards the peppled shore, 875 01:24:59,340 --> 01:25:02,332 so do our minutes hasten to their end. 876 01:25:02,500 --> 01:25:07,130 Each changing place with that which goes before. 877 01:25:08,740 --> 01:25:14,258 In secret toil, all fonlvards do contend the tifity, 878 01:25:14,420 --> 01:25:18,572 once in the main of life, crawls to maturity. 879 01:25:18,740 --> 01:25:21,208 Where with being crowned, 880 01:25:21,380 --> 01:25:25,168 crookedy clipses age this glory fight. 881 01:25:25,340 --> 01:25:31,415 And time that gave doth now his gift doth vow. 882 01:25:32,860 --> 01:25:35,658 Time doth transfix the flourish 883 01:25:35,820 --> 01:25:41,770 set on youth and delve the parallels in dutys' brow. 884 01:25:42,900 --> 01:25:45,653 Feed on the rarities of nature's truth. 885 01:25:45,820 --> 01:25:51,258 And nothing stands for his sight to bow. 886 01:26:13,620 --> 01:26:15,576 They are not men of their word. 887 01:26:15,740 --> 01:26:20,734 They told me I was everything. 'Tis a lie. 888 01:26:21,820 --> 01:26:24,539 She's gone forever. 889 01:26:25,740 --> 01:26:27,458 She's gone forever. 890 01:26:27,620 --> 01:26:30,054 I know when one is dead when one lives. 891 01:26:31,100 --> 01:26:35,332 I know when one is dead when one lives. 892 01:26:37,740 --> 01:26:40,208 - She's dead as earth. - Hand me a looking glass. 893 01:26:40,380 --> 01:26:44,259 If that her breath will mist or stain this stone, 894 01:26:44,420 --> 01:26:48,459 why, then she lives.